“Dif [Magazine] maakt het verschil – Nr 3” is toegevoegd aan je winkelwagen. ![The New Yorker [May 14 2018] - Joost Swarte](https://www.teszilla.com/retroscoop/wp-content/uploads/The-New-Yorker-_May-14-2018_-Joost-Swarte.jpg "The New Yorker [May 14 - 2018] Joost Swarte")
![The New Yorker [May 14 2018] - Joost Swarte](https://www.teszilla.com/retroscoop/wp-content/uploads/The-New-Yorker-May-14-2018-Joost-Swarte.jpg "The New Yorker [May 14 - 2018] Joost Swarte")
![The New Yorker [May 14 2018] - Joost Swarte](https://www.teszilla.com/retroscoop/wp-content/uploads/The-New-Yorker-_May-14-2018_-Joost-Swarte-300x300.jpg)
![The New Yorker [May 14 2018] - Joost Swarte](https://www.teszilla.com/retroscoop/wp-content/uploads/The-New-Yorker-May-14-2018-Joost-Swarte-300x300.jpg)
The New Yorker [May 14 – 2018] Joost Swarte
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The New Yorker Magazine
€25.00 🚗+4.90
Swarte is something of a polymath, whose work spans graphic design, cartooning, and architecture. We recently sat down the with the artist to discuss his art, as well as the broader theme of innovation, which he defines as “solving puzzles using unexpected means.”
“Drawing spots is trying to catch a meaning in a simple image, telling a whole story in a pictogram. The task is to make simple images but load them with meaning. It’s close to poetry!
I love to show how things work, how a window can be opened, how a table is constructed. A lot of that comes through while drawing. I’m always analyzing objects, observing human behavior, and reconstructing what I find as I work on the page.
Drawing comes first for me; architecture is really something I got to do later. But you’re right that there are similarities: in both lies the fun of analyzing a problem and resolving it in an elegant manner.
The ligne claire, or “clear line,” is a drawing language, in which forms are represented by drawing the outlines in an evenly thick line. The reader understands this language and transforms the outlines into three-dimensional forms. It started with Hergé, in the fifties, but has since been inherited by quite a few Dutch, French, and Belgian artists.”
Behalve striptekenaar is hij ook illustrator, architect, letterontwerper, grafisch vormgever en ontwerper van glas-in-loodramen.
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The New Yorker: Iya Ni Wura (Mother Is Gold) – Diana Ejaita
The New Yorker Magazine
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The New Yorker: The Women’s March – Rosie the Riveter
The New Yorker Magazine
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![The New Yorker [May 14 2018] - Joost Swarte](https://www.teszilla.com/retroscoop/wp-content/uploads/The-New-Yorker-_May-14-2018_-Joost-Swarte-324x324.jpg "The New Yorker [May 14 - 2018] Joost Swarte")
The New Yorker [May 14 – 2018] Joost Swarte
The New Yorker Magazine
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The New Yorker: Iya Ni Wura (Mother Is Gold) – Diana Ejaita
The New Yorker Magazine
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The New Yorker: The Women’s March – Rosie the Riveter
The New Yorker Magazine
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Foute Mannen
Fokke & Sukke – Het Afzien van 2000-2018
Reid, Geleijnse & Van Tol
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The New Yorker: Iya Ni Wura (Mother Is Gold) – Diana Ejaita
The New Yorker Magazine
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![A Book of Elephants [Eerste Druk 1969] - Ashok Davar](https://www.teszilla.com/retroscoop/wp-content/uploads/A-Book-of-Elephants-Eerste-Druk-1969-Ashok-Davar--324x324.jpg "A Book of Elephants [First Printing 1969]")
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![Digital Beauties [2002] - Julius Wiedemann](https://www.teszilla.com/retroscoop/wp-content/uploads/41fqJcZshCL-324x324.jpg "Digital Beauties [2002]")
Digital Beauties [2002]
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![Digital Beauties [2001] - Julius Wiedemann](https://www.teszilla.com/retroscoop/wp-content/uploads/149817629_15492817371A86D1B0-324x324.jpg "Digital Beauties [2001]")
Digital Beauties [2001]
Julius Wiedemann
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Chicago Then and Now
Kathleen Maguire & Elizabeth McNulty
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MaXiX januari 2021
Dirk de Graef
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Holland in Beeld 1895-2008
Toon Lauwen
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Pim Scheelings
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International Comic & Animation Art 2021
Heritage Auctions
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Harper’s Bazaar USA 2012 – Gwyneth Paltrow
Harper’s
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Bella
Joost Vandecasteele & Jeroen Los
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Resultaat 19–27 van de 41 resultaten wordt getoondGesorteerd op nieuwste
Resultaat 19–27 van de 41 resultaten wordt getoondGesorteerd op nieuwste
